Inward Connections

In 1987 Steve Firlotte established Inward Connections, bringing years of experience to the marketplace by designing his own line of audio products aimed at the discriminating professional. His initial offering was the Vac Rac TM modular tube audio system which set the pace for products to come, including the DMS Discreet Monitoring System which was the first-time that a control room monitor module was redesigned to fit into a 19" rack unit. The Vac Rac modular system was the result of collaboration by Firlotte and renowned audio designers Steve Barker and John Hall. Hall is the 2006 recipient of the AES Silver Medal Award for his outstanding achievement in the field of audio engineering and his SPA690 Discreet Class A Amp Block is used exclusively in Inward Connections products.

In the late 1990s, Steve Firlotte and Ian Gardiner of Boutique Audio and Design began working together. They soon discovered Steve's expertise in electronic design complemented Ian's mechanical design and fabrication skills. Their first major recording console project was the F & G Dymaxion 24X24X8 Tube/Discreet Mixing Console with 8-Channel Tube Side Car built for Danny White of Sixteen Ton Recording in Nashville, Tennessee (see photo below). This hybrid tube/transistor console was such a success they then built other custom consoles for clients such as Flea of the Red Hot Chili Peppers, Weezer, Daniel Lanois and other major artists.

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Bad Boy

500 Series VCA compressor

Inward Connections

Inward Connections knows a thing or two about putting big sound in small packages. The Bad Boy compressor is no exception.

The Bad Boy 500 Series VCA compressor picks up where its predecessors, the VC500 and VOGAD, left off. It provides a huge range of compression timing options, allowing users to dial in attack and release to suit almost any source imaginable. This versatile circuit is also coupled to the famed VF600 discrete amp blocks and an all-new Wet/Dry Mix circuit, allowing tonal settings never before available on an Inward Connections VCA compressor.

With its range of ratios, array of timing options and integrated Mix control, the Bad Boy is ready to tackle any source. It's ready to work whether it's leveling gentle acoustic guitars, smashing drums, tightening the mix bus, or even mastering. The Bad Boy is a good thing for any 500 Series rack

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THE BRUTE ll

Stereo-linkable, 1RU rackmount version

Inward Connections

The Brute is Inward Connections' most popular offering to date. It borrows the ultra-smooth opto-cell circuit of the flagship Vac Rac TSL-4 and pairs it with the VF600 discrete amp block, making the Brute a tremendous value. It smoothly controls transients while adding vibe and character with an airy quality. For 500 Series users it has become a near instant classic the world over.

For non-500 Series users, that revered sound is now available in a stereo-linkable, 1RU rackmount version, the Brute II. The Brute II's new, rugged steel chassis leaves plenty of room for features not previously offered in its 500 Series predecessor. The most notable new features are built-in Wet/Dry Mix control, internal linking and four Ratio settings to choose from. These new features open new doors for tracking and mixing possibilities. The Brute II is the optical limiter for every engineer.

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TSL-4 Gunmetal

Stereo Optical Tube Limiter

Inward Connections

The modern classic Inward Connections TSL-4 has gotten a visual refresh. For years, engineers have requested a more attractive color on the Vac Rac TSL. Since the TSL-4 Anniversary Edition was such a success, Inward Connections thought another shade of gray would surely please. Moving forth, the TSL-4 will be Gunmetal Gray. New color. Same great features!

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TSL-4 Vac Rac

Stereo Optical Tube LImiter

TSL-4 Vac Rac

Nearly two decades ago, Inward Connections created the TLM-1 (Tube Limiter Module) for their Vac Rac modular processing system. The TLM-1 was highly favored by many of the world’s top recording engineers and when the modular Vac Rac was discontinued, the TLM-1 topology found life as a new standalone, dual-channel unit. Thus, the TSL series was born.

The Inward Connections TSL-4 Vac Rac is the latest incarnation of this classic design. It adds new features without altering the sonic signature engineers have come to revere – Smooth limiting presented with the euphonic character and warmth of tubes. If you want to control the transients of vocals, guitars, bass or the mix bus, without tweaking a whole bunch of controls, the TSL-4 is exactly what you’ve been looking for.



Mix 690

16 Channel Discrete Summing Mixer

Mix 690

Built using the same proprietary op-amps as the DEQ-1, the Mix 690 Summing Mixer sounds very large and fat while still retaining clarity and detail in the high end. The mid range comes across as punchy and perceptually loud, which adds excitement to any mix. The perfect way to relieve your overworked digital mix buss and restore resolution and depth to your mixes.



The Brat

500 Series Fully Parametric 4 Band EQ

The Brat

The Brat is a completely functional 4-band parametric equalizer in the 500 series format utilizing the VF600 discrete amp blocks adding warmth and definition to your recordings.

This equalizer will give you the shaping tools needed to solve any of your EQ demands. It will deliver all the surgical features that you would come to expect in a 4-band parametric. The Brat is a perfect addition to any 500 series rack.



Magnum VU

500 Series Mic Preamp

Magnum VU

With a warm and upfront low-end, punchy mid-range and open top end, the Inward Connections Magnum VU will bring new life to your recording rig. Classic sounding warmth, but with airiness and headroom for days. Magnum offers something different than the old standbys. Extra large tone for your lunchbox!



The Brute

500 Series Optical Limiter

The Brute

Inward Connections The Brute is one of the most well suited compressor/limiters within the 500 series format to obtain a "high-end" vocal sound. It will add warmth and presence to your vocal, bringing out a breathy and airy quality while also smoothing out peaks and bringing the vocal up front in your mix. The Brute is also excellent for guitars, bass, and anywhere else and smooth and warm optical limiter can be of use.